{"id":7105,"date":"2019-10-03T14:00:00","date_gmt":"2019-10-03T12:00:00","guid":{"rendered":"https:\/\/speakuplangues.lu\/management\/"},"modified":"2026-02-23T14:44:07","modified_gmt":"2026-02-23T13:44:07","slug":"direktion","status":"publish","type":"page","link":"https:\/\/speakuplangues.lu\/de\/direktion\/","title":{"rendered":"Direktion"},"content":{"rendered":"<style type=\"text\/css\"> \n#cmsmasters_row_6a152a2db5fb21_03132575 .cmsmasters_row_outer_parent { \n\tpadding-top: 70px; \n} \n\n#cmsmasters_row_6a152a2db5fb21_03132575 .cmsmasters_row_outer_parent { \n\tpadding-bottom: 50px; \n} \n\n \n#cmsmasters_divider_6a152a2db69f91_54048681 { \n\tborder-bottom-width:0px; \n\tborder-bottom-style:solid; \n\tpadding-top:20px; \n\tmargin-bottom:20px; \n} \n \n#cmsmasters_heading_6a152a2db6ac20_09996300 { \n\ttext-align:center; \n\tmargin-top:0px; \n\tmargin-bottom:0px; \n} \n\n#cmsmasters_heading_6a152a2db6ac20_09996300 .cmsmasters_heading { \n\ttext-align:center; \n} \n\n#cmsmasters_heading_6a152a2db6ac20_09996300 .cmsmasters_heading, #cmsmasters_heading_6a152a2db6ac20_09996300 .cmsmasters_heading a { \n\tfont-weight:bold; \n\tfont-style:normal; \n} \n\n#cmsmasters_heading_6a152a2db6ac20_09996300 .cmsmasters_heading_divider { \n} \n\n \n#cmsmasters_heading_6a152a2db6b870_27359662 { \n\ttext-align:center; \n\tmargin-top:0px; \n\tmargin-bottom:50px; \n} \n\n#cmsmasters_heading_6a152a2db6b870_27359662 .cmsmasters_heading { \n\ttext-align:center; \n} \n\n#cmsmasters_heading_6a152a2db6b870_27359662 .cmsmasters_heading, #cmsmasters_heading_6a152a2db6b870_27359662 .cmsmasters_heading a { \n\tfont-weight:400; \n\tfont-style:normal; \n} \n\n#cmsmasters_heading_6a152a2db6b870_27359662 .cmsmasters_heading_divider { \n} \n\n \n#cmsmasters_row_6a152a2db6f8a8_71962579 .cmsmasters_row_outer_parent { \n\tpadding-top: 0px; \n} \n\n#cmsmasters_row_6a152a2db6f8a8_71962579 .cmsmasters_row_outer_parent { \n\tpadding-bottom: 0px; \n} \n\n#cmsmasters_row_6a152a2db6f8a8_71962579 .cmsmasters_row_inner.cmsmasters_row_fullwidth { \n\tpadding-left:0%; \n} \n#cmsmasters_row_6a152a2db6f8a8_71962579 .cmsmasters_row_inner.cmsmasters_row_fullwidth { \n\tpadding-right:0%; \n} \n \n#cmsmasters_divider_6a152a2db72d42_85300360 { \n\tborder-bottom-width:4px; \n\tborder-bottom-style:solid; \n\tpadding-top:0px; \n\tmargin-bottom:0px; \n\tborder-bottom-color:#008dd5;\n} \n \n#cmsmasters_divider_6a152a2db739b7_53295177 { \n\tborder-bottom-width:0px; \n\tborder-bottom-style:solid; \n\tpadding-top:20px; \n\tmargin-bottom:20px; \n} \n \n#cmsmasters_row_6a152a2db74588_97636000 .cmsmasters_row_outer_parent { \n\tpadding-top: 0px; \n} \n\n#cmsmasters_row_6a152a2db74588_97636000 .cmsmasters_row_outer_parent { \n\tpadding-bottom: 50px; \n} \n\n \n#cmsmasters_heading_6a152a2db78247_32465959 { \n\ttext-align:center; \n\tmargin-top:0px; \n\tmargin-bottom:50px; \n} \n\n#cmsmasters_heading_6a152a2db78247_32465959 .cmsmasters_heading { \n\ttext-align:center; \n} \n\n#cmsmasters_heading_6a152a2db78247_32465959 .cmsmasters_heading, #cmsmasters_heading_6a152a2db78247_32465959 .cmsmasters_heading a { \n\tfont-weight:400; \n\tfont-style:normal; \n} \n\n#cmsmasters_heading_6a152a2db78247_32465959 .cmsmasters_heading_divider { \n} \n\n \n#cmsmasters_row_6a152a2db79f13_44537966 .cmsmasters_row_outer_parent { \n\tpadding-top: 0px; \n} \n\n#cmsmasters_row_6a152a2db79f13_44537966 .cmsmasters_row_outer_parent { \n\tpadding-bottom: 0px; \n} \n\n#cmsmasters_row_6a152a2db79f13_44537966 .cmsmasters_row_inner.cmsmasters_row_fullwidth { \n\tpadding-left:0%; \n} \n#cmsmasters_row_6a152a2db79f13_44537966 .cmsmasters_row_inner.cmsmasters_row_fullwidth { \n\tpadding-right:0%; \n} \n \n#cmsmasters_divider_6a152a2db7bc14_61842392 { \n\tborder-bottom-width:4px; \n\tborder-bottom-style:solid; \n\tpadding-top:0px; \n\tmargin-bottom:0px; \n\tborder-bottom-color:#008dd5;\n} \n \n#cmsmasters_row_6a152a2db7cb62_32995383 .cmsmasters_row_outer_parent { \n\tpadding-top: 70px; \n} \n\n#cmsmasters_row_6a152a2db7cb62_32995383 .cmsmasters_row_outer_parent { \n\tpadding-bottom: 50px; \n} \n\n \n#cmsmasters_heading_6a152a2db84843_10566243 { \n\ttext-align:center; \n\tmargin-top:0px; \n\tmargin-bottom:50px; \n} \n\n#cmsmasters_heading_6a152a2db84843_10566243 .cmsmasters_heading { \n\ttext-align:center; \n} \n\n#cmsmasters_heading_6a152a2db84843_10566243 .cmsmasters_heading, #cmsmasters_heading_6a152a2db84843_10566243 .cmsmasters_heading a { \n\tfont-weight:400; \n\tfont-style:normal; \n} \n\n#cmsmasters_heading_6a152a2db84843_10566243 .cmsmasters_heading_divider { \n} \n\n \n#cmsmasters_divider_6a152a2db85939_15213640 { \n\tborder-bottom-width:0px; \n\tborder-bottom-style:solid; \n\tpadding-top:20px; \n\tmargin-bottom:20px; \n} \n \n#cmsmasters_row_6a152a2db892f0_28203209 .cmsmasters_row_outer_parent { \n\tpadding-top: 0px; \n} \n\n#cmsmasters_row_6a152a2db892f0_28203209 .cmsmasters_row_outer_parent { \n\tpadding-bottom: 0px; \n} \n\n#cmsmasters_row_6a152a2db892f0_28203209 .cmsmasters_row_inner.cmsmasters_row_fullwidth { \n\tpadding-left:0%; \n} \n#cmsmasters_row_6a152a2db892f0_28203209 .cmsmasters_row_inner.cmsmasters_row_fullwidth { \n\tpadding-right:0%; \n} \n \n#cmsmasters_divider_6a152a2db8a0f5_45169924 { \n\tborder-bottom-width:4px; \n\tborder-bottom-style:solid; \n\tpadding-top:0px; \n\tmargin-bottom:0px; \n\tborder-bottom-color:#008dd5;\n} \n \n#cmsmasters_row_6a152a2db8a706_82535893 .cmsmasters_row_outer_parent { \n\tpadding-top: 50px; \n} \n\n#cmsmasters_row_6a152a2db8a706_82535893 .cmsmasters_row_outer_parent { \n\tpadding-bottom: 50px; \n} \n\n \n#cmsmasters_heading_6a152a2db8bf01_28349144 { \n\ttext-align:center; \n\tmargin-top:0px; \n\tmargin-bottom:0px; \n} \n\n#cmsmasters_heading_6a152a2db8bf01_28349144 .cmsmasters_heading { \n\ttext-align:center; \n} \n\n#cmsmasters_heading_6a152a2db8bf01_28349144 .cmsmasters_heading, #cmsmasters_heading_6a152a2db8bf01_28349144 .cmsmasters_heading a { \n\tfont-weight:bold; \n\tfont-style:normal; \n} \n\n#cmsmasters_heading_6a152a2db8bf01_28349144 .cmsmasters_heading_divider { \n} \n\n<\/style><div id=\"cmsmasters_row_6a152a2db5fb21_03132575\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_boxed\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner\">\n<div class=\"cmsmasters_row_margin\">\n<div class=\"cmsmasters_column one_first\">\n<div class=\"aligncenter\">\n<div class=\"cmsmasters_img  cmsmasters_image_c\">\n<img decoding=\"async\" src=\"https:\/\/speakuplangues.lu\/wp-content\/uploads\/2020\/01\/speakup_langue_markus_oliver_spitz-400x400.jpg\" \/>\n<\/div>\n<\/div>\n\n<div id=\"cmsmasters_divider_6a152a2db69f91_54048681\" class=\"cl\"><\/div>\n\n<div id=\"cmsmasters_heading_6a152a2db6ac20_09996300\" class=\"cmsmasters_heading_wrap cmsmasters_heading_align_center\">\n\t<h1 class=\"cmsmasters_heading\">Markus Oliver Spitz, PhD<\/h1>\n<\/div>\n<div id=\"cmsmasters_heading_6a152a2db6b870_27359662\" class=\"cmsmasters_heading_wrap cmsmasters_heading_align_center\">\n\t<h2 class=\"cmsmasters_heading\">Direktor<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"cmsmasters_row_6a152a2db6f8a8_71962579\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_fullwidth\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner cmsmasters_row_fullwidth\">\n<div class=\"cmsmasters_row_margin\">\n<div class=\"cmsmasters_column one_first\">\n\n<div id=\"cmsmasters_divider_6a152a2db72d42_85300360\" class=\"cmsmasters_divider cmsmasters_divider_width_long cmsmasters_divider_pos_center\"><\/div>\n\n<div id=\"cmsmasters_divider_6a152a2db739b7_53295177\" class=\"cl\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"cmsmasters_row_6a152a2db74588_97636000\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_boxed\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner\">\n<div class=\"cmsmasters_row_margin\">\n<div class=\"cmsmasters_column one_first\">\n\n<div id=\"cmsmasters_heading_6a152a2db78247_32465959\" class=\"cmsmasters_heading_wrap cmsmasters_heading_align_center\">\n\t<h3 class=\"cmsmasters_heading\">Biografie<\/h3>\n<\/div><div class=\"cmsmasters_text\">\n<p><span style=\"color: #000000;\">Markus ist geb\u00fcrtiger Dortmunder. Er studierte Deutsch, Englisch, P\u00e4dagogik und Soziologie in Bochum und Bonn. Staatsexamen und Magister erwarb er 1998, sodann nahm er ein Promotionsstipendium der Universit\u00e4t von Exeter an.<\/span><\/p>\n<p><span style=\"color: #000000;\">Markus hat in Deutschland, Frankreich, England, den USA und seit 2006 in Luxemburg gearbeitet.<br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000;\">Somit ist er mit der Luxemburger Sprach-, Bildungs- und Wirtschaftslandschaft gut vertraut und freut sich sehr dar\u00fcber, dass einige der bekanntesten Firmen (wieder) zu seinem Kundenkreis geh\u00f6ren.<\/span><\/p>\n<p><span style=\"color: #000000;\">Er absolvierte dar\u00fcber hinaus den hiesigen Lehrer-Concours und ist von daher in verschiedenen p\u00e4dagogischen Konzepten geschult. \u00dcber einen Zeitraum von f\u00fcnfzehn Jahren beurteilte er f\u00fcr das \u201eInternational Baccalaureate\u201c als Erstkorrektor mehr als zweitausend Abituraufs\u00e4tze im Fach Deutsch. Seit 2002 hat er zahlreiche Arbeiten zu literarischen, sprachlichen und soziologischen Aspekten ver\u00f6ffentlicht.<\/span><\/p>\n<p><span style=\"color: #000000;\">Neben Deutsch spricht Markus auch Englisch, Franz\u00f6sisch und lernt Luxemburgisch. Er ist davon \u00fcberzeugt,<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #000000;\">\u201e&#8230; dass Sprachen keine \u2018soft skill\u2019 darstellen, sondern die Basis s\u00e4mtlicher Kommunikation.\u201c<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"cmsmasters_row_6a152a2db79f13_44537966\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_fullwidth\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner cmsmasters_row_fullwidth\">\n<div class=\"cmsmasters_row_margin\">\n<div class=\"cmsmasters_column one_first\">\n\n<div id=\"cmsmasters_divider_6a152a2db7bc14_61842392\" class=\"cmsmasters_divider cmsmasters_divider_width_long cmsmasters_divider_pos_center\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"cmsmasters_row_6a152a2db7cb62_32995383\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_boxed\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner\">\n<div class=\"cmsmasters_row_margin\">\n<div class=\"cmsmasters_column one_first\">\n\n<div id=\"cmsmasters_heading_6a152a2db84843_10566243\" class=\"cmsmasters_heading_wrap cmsmasters_heading_align_center\">\n\t<h3 class=\"cmsmasters_heading\">Berufserfahrung &amp; Forschung<\/h3>\n<\/div><div class=\"cmsmasters_text\">\n<h4><span style=\"color: #008dd5;\">Berufserfahrung<\/span><\/h4>\n<ul>\n<li><span style=\"color: #000000;\">Upper School Teacher of German, ISL, Lux<\/span><\/li>\n<li><span style=\"color: #000000;\">Deutschlehrer (A1), LLJ\/MEN, Lux<\/span><\/li>\n<li><span style=\"color: #000000;\">Teacher of Modern Foreign Languages, Language Service Provision, Lux<\/span><\/li>\n<li><span style=\"color: #000000;\">Self-employed Language Professional, NYC<\/span><\/li>\n<li><a href=\"http:\/\/www.lcuck.ac.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #008dd5;\">Lecturer in Languages &amp; Linguistics, University College Kensington, UK<\/span><\/a><\/li>\n<li><span style=\"color: #008dd5;\"><a style=\"color: #008dd5;\" href=\"https:\/\/www.queensu.ca\/bisc\/\" target=\"_blank\" rel=\"noopener noreferrer\">Visiting Fellow in German, ISC, Herstmonceux Castle, UK<\/a><\/span><\/li>\n<li><span style=\"color: #000000;\">Professeur d\u2019allemand, Langues du monde, Nantes, F<\/span><\/li>\n<li><span style=\"color: #008dd5;\"><a style=\"color: #008dd5;\" href=\"http:\/\/humanities.exeter.ac.uk\/modernlanguages\/german\/\" target=\"_blank\" rel=\"noopener noreferrer\">Graduate Teaching Assistant, Department of German, University of Exeter, UK<\/a><\/span><\/li>\n<li><a href=\"https:\/\/www.exeterschool.org.uk\/\"><span style=\"color: #008dd5;\">Teacher of German, Exeter Public School, UK<\/span><\/a><\/li>\n<li><span style=\"color: #008dd5;\"><a style=\"color: #008dd5;\" href=\"https:\/\/germanistik.blogs.ruhr-uni-bochum.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tutor in German, Germanistisches Institut, Ruhr-Universit\u00e4t Bochum, D<\/a><\/span><\/li>\n<li><span style=\"color: #008dd5;\"><a style=\"color: #008dd5;\" href=\"https:\/\/www.barnsley.ac.uk\/\">Foreign Language Assistant in German, Barnsley College, UK<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n\n<div id=\"cmsmasters_divider_6a152a2db85939_15213640\" class=\"cl\"><\/div>\n<div class=\"cmsmasters_text\">\n<h4><span style=\"color: #008dd5;\"><span class=\"tlid-translation translation\" lang=\"de\"><span class=\"\" title=\"\">Forschung<\/span><\/span><\/span><\/h4>\n<p><span style=\"color: #000000;\">2026<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Referat (forthcoming):<br \/>\nJochen Meyer (Hrsg.): Dem Traum folgen. Christoph Meckel und Lilo Fromm im Briefwechsel mit Johannes Bobrowski 1960-1965.<br \/>\nG\u00f6ttingen: Wallstein, 2024. 526 Seiten (Mainzer Reihe. Neue Folge, Band 21) in: Germanistik. Internationales Referatenorgan mit bibliographischen Hinweisen<\/span><\/li>\n<\/ul>\n<ul>\n<li><span style=\"color: #000000;\">Forthcoming book review<br \/>\n&#8220;Hans-Helmuth Gander, Zlatko Valentic: Die Sagkraft der Hermeneutik&#8221; (Arbeitstitel)<\/span><\/li>\n<li><span style=\"color: #000000;\"> Forthcoming article: &#8220;Interaktion zwischen Sprachanbieter und Wirtschaft &#8211; Wirtschaftsdeutsch im Gro\u00dfherzogtum Luxemburg&#8221; (Arbeitstitel).<br \/>\n            Journal &#8220;German as a Foreign Language&#8221;, Special Edition Business German<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2025<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Forthcoming Book Chapters: \u201cSo geht Schule (nicht mehr)! &#8211; F\u00e4cher Deutsch und Fremdsprachen\u201d in: Ansgar H\u00fcls \/ Jost Schneider (Hg.):<br \/>\nP\u00e4dagogik der Horizonterweiterung [Arbeitstitel]<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2024<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201cQuer durch D\u00fcrrenmatt. Der von Lucas Marco Gisi und Irmgard M. Wirtz herausgegebene Sammelband \u2018Wirklichkeit als Fiktion \u2013 Fiktion als Wirklichkeit\u2019 setzt ein rezeptionelles Ausrufungszeichen\u201d in: <a href=\"www.literaturkritik.de\" target=\"_blank\" rel=\"noopener\">www.literaturkritik.de<\/a>, Ausgabe 07\/2024<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2023<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review (forthcoming): &#8220;Der radikale Poet Werner Schwab (Helmut Grugger)&#8221;, <a href=\"www.literaturkritik.de\" target=\"_blank\" rel=\"noopener\">www.literaturkritik.de<\/a>,<br \/>\nAusgabe 04\/2023<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2022<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Chapter: \u201cRefugees and Asylum Seekers in Contemporary German Film: Portrayals of a Nation between Tolerance and Xenophobia in We Are Young. We Are Strong and A Very German Welcome\u201d in: Hagen, A. \/ Williams, J. (Eds.): Conflict and Survival in Western European Film. Lanham (Maryland): Rowman &amp; Littlefield, pp 67-89.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2021<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: (forthcoming) \u201cEr leuchtet! Das \u2018Marbacher Magazin\u2019 wirft Licht auf Peter R\u00fchmkorfs Schaffen und Nachlass\u201d in: Literaturkritik.de, Ausgabe 3\/2021<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2019<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201cDie Notwendigkeit des Teilens. Heinz Bude begibt sich auf Spurensuche im Hinblick auf \u2018Solidarit\u00e4t\u2019 und verweist auf die nach wie vor gegebene Bedeutung des Begriffs\u201d in: Literaturkritik.de, Ausgabe 6\/2019<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cLeider nur ein Leichtgewicht \u2013 Der Text+Kritik-Sammelband zu Christoph Ransmayr entt\u00e4uscht\u201d in: Germanistische Beitr\u00e4ge, Band 44, S. 243\u201345<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cMensch &#8211; Natur &#8211; Einklang? Solvejg Nitzke wendet das Begriffspaar \u2018Widerst\u00e4ndigkeit\u2019 und \u2018Eigenzeit\u2019 auf Christoph Ransmayrs Schreiben an\u201d in: Literaturkritik.de, Ausgabe 02\/2019<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2018<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201cOrdnung im Durcheinandertal. Peter Rusterholz hat das Sp\u00e4t- wie auch das zeichnerische Werk D\u00fcrrenmatts ins Zentrum seiner Aufs\u00e4tze ger\u00fcckt\u201d in: Literaturkritik.de, Ausgabe 06\/2018<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2017<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201cNeu war immer nur das Alte \u2013 Daniela Henke liefert eine weitere postmoderne Deutung von Christoph Ransmayrs Werk\u201d in: Literaturkritik.de, Ausgabe 01\/2017<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2016<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201cAngus Kennedy: Being Cultured \u2013 In Defence of Discrimination. Imprint Academic, Exeter 2014\u201d in: Journal of Contemporary European Studies, Vol. 24, Issue 3\/2016, pp. 432\u201334.<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cCruel Britannia : Sarah Kane\u2019s Postmodern Traumatics\u201d in: www.theaterforschung.de, Ausgabe 06\/2016<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cSeri\u00f6s, aber nicht unbedingt neu. Hans-Edwin Friedrichs und Barbara Potthasts Sammelband zur Lyrik Peter R\u00fchmkorfs ist eher eine Bestandsaufnahme\u201d in: Literaturkritik.de, Ausgabe 06\/2016<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cKatharina Bahlmann: Arthur C. Danto und das Phantasma vom \u2018Ende der Kunst\u2019. Paderborn: Fink, 2015\u201d in: www.theaterforschung.de, Ausgabe 04\/2016<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cHeiner M\u00fcller. Theater ist kontrollierter Wahnsinn. Ein Reader. Hrsg. von Detlev Schneider. Alexander Verlag, 2014\u201d in: www.theaterforschung.de, Ausgabe 01\/2016<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cLesebuch als Steinbruch. Andreas Erb und Hannes Krauss haben ein Kompendium der neueren deutschen Literatur editiert\u201d in: Literaturkritik.de, Ausgabe 02\/2016<\/span><\/li>\n<li><span style=\"color: #000000;\">Online Article: \u201cPlot, Psychosis and Protest in Chuck Palahniuk\u2019s Fight Club\u201d in: Philologie im Netz, No. 75\/2016, pp. 32-48.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2015<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201cSag, Alpenland, wie h\u00e4ltst du es mit der Literatur? Ein von Hermann Korte herausgegebener, durchwachsener Sonderband widmet sich einigen \u00f6sterreichischen Portalfiguren wie auch neueren und neuesten Tendenzen in der Belletristik\u201d in: Literaturkritik.de, Ausgabe 12\/2015<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cNach wie vor schicke Provokation oder doch etwas in die Jahre gekommen? Hanna Klessinger widmet sich der Historisierung der \u201ePostdramatik\u201c\u201d in: Literaturkritik.de, Ausgabe 10\/2015<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review : \u201cDie Koordinaten des \u2018politischen Feldes.\u2019 Pierre Bourdieus konstante Weigerung, Politik allein den Profis zu \u00fcberlassen\u201d in: Literaturkritik.de, Ausgabe 07\/2015<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cMarta Famula: Fiktion und Erkenntnis. D\u00fcrrenmatts \u00c4sthetik des ,ethischen Trotzdem\u2019 (K&amp;N, 2014)\u201d in: www.theaterforschung.de,Ausgabe 06\/2015<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cHaltbar \u00fcber 2008 hinaus: Peter Bekes portr\u00e4tiert Peter R\u00fchmkorf\u201d in: Literaturkritik.de, Ausgabe 06\/2015<\/span><\/li>\n<li><span style=\"color: #000000;\">Online Review Essay: \u201cBartl, A. und Kraus, M. (Hrsg.): Skandalautoren. Zu repr\u00e4sentativen Mustern literarischer Provokation und Aufsehen erregender Autorinszenierung unter Mitarbeit von Kathrin Wimmer. 2 B\u00e4nde. Konnex, Bd. 10\u201d in: Philologie im Netz, Nr. 72\/1, S. 71\u201374.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2014<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201cLisa Herzog: Inventing the Market. Smith, Hegel and Political Theory. Oxford University Press, 2013\u201d in: Journal of Contemporary European Studies, Vol. 22, Issue 2\/2014, pp. 219\u201320.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2013<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Chapter: \u201ePierre Bourdieus Feldtheorie und Kultursoziologie am Beispiel Rainer Werner Fassbinders und Pier Paolo Pasolinis\u201c in: Irene Fantappi\u00e8, Michele Sisto (Hg.): Italienische und Deutsche Literatur 1945-1970. Felder, Polysysteme, Transfer.<br \/>\nRome: Istituto Italiano di Studi Germanici, pp. 169\u201385.<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Chapter \/ Translations: \u201cChristoph Meckel\u2019s Poetics. With five Translations from Souterrain (1984)\u201d in: Ann Murray (Ed.), Interrogating Normalcy. Germanistik in Ireland. Schriftenreihe, Vol. 3. Konstanz: Hartung-Gorre, pp. 135\u201343.<br \/>\nEntire volume reviewed in: Forum, University of Edinburgh Postgraduate Journal of Culture &amp; the Arts, issue 19, Autumn 2014, pp. 1-3 (Lizzy Robinson-Self)<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cEmanuele Ferragina: Social Capital in Europe. A Comparative Regional Analysis. Edward Elgar, 2012\u201d in: Journal of Contemporary European Studies, London: Routledge, Vol. 21, Issue 2\/2013, pp. 308\u201310.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2012<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book: Pr\u00e4tention \u2013 Distinktion \u2013 Dignit\u00e4t. Eine Bourdieusche Lesart nebst sechs Fallstudien. W\u00fcrzburg: K\u00f6nigshausen &amp; Neumann, pp. 244.<\/span><br \/>\n<span style=\"color: #000000;\">Reviewed in: Journal of Contemporary European Studies, Vol. 22, Issue 2\/2014, pp. 234\u201336 (Stuart Parkes)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2011<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Journal Article: \u201e\u2018Abschied von der B\u00fchne\u2019: Friedrich D\u00fcrrenmatts Achterloo IV (1988)\u201c \/ La \u201cdespedida del escenario\u201d de Friedrich D\u00fcrrenmatt: Achterloo IV (1988), Revista de Filolog\u00eda Alemana: Anejo III. Sincron\u00edas en el pasado &#8230; diacron\u00edas en el presente. Estudios literarios, Madrid: Universidad Complutense, pp. 283\u2013300.<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u201cGordon Gray: Cinema. A visual Anthropology. Berg, 2010\u201d in: Journal of Contemporary European Studies, London: Routledge, Vol. 19, Issue 2\/2011, pp. 308\u201309.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2010<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Review: \u201eLo\u00efc Wacquant: Bestrafen der Armen. Zur neoliberalen Regierung der sozialen Unsicherheit. Budrich 2009\u201c in: Stephenson, Paul: \u201cBook Reviews\u201d, Journal of Contemporary European Studies, London: Routledge, Vol. 18, Issue 1\/2010, pp. 117\u201353.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2009<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Encyclopaedia Entries: Poetiken. Autoren \u2013 Texte \u2013 Begriffe. Hrsg. von Schmitz-Emans, M., Lindemann, U. und Schmeling, M. Berlin: de Guyter.<\/span><br \/>\n<span style=\"color: #000000;\">1) Hilde Domin, pp. 104\u201305<\/span><br \/>\n<span style=\"color: #000000;\">2) Terry Eagleton, p 113<\/span><br \/>\n<span style=\"color: #000000;\">3) Erich Fried, pp. 134\u201335<\/span><br \/>\n<span style=\"color: #000000;\">4) Walter H\u00f6llerer, pp. 191\u201392<\/span><br \/>\n<span style=\"color: #000000;\">5) Hans Mayer, pp. 277\u201378<\/span><br \/>\n<span style=\"color: #000000;\">6) Emil Staiger, pp. 386\u201387<\/span><br \/>\n<span style=\"color: #000000;\">Entire volume reviewed in: Rezensionsforum literaturkritik.de, Ausgabe 06\/2011 (Peter Langemeyer)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2008<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Journal Article: \u2018English and German in the Grand Duchy of Luxembourg: Language, Culture, Business\u2019 in: Pfalzgraf, Falco \/ Rash, Felicity (Eds): Anglo-German Linguistic Relations (= Jahrbuch f\u00fcr Internationale Germanistik, Reihe A: Kongressberichte Bd. 98). Bern et al: Lang, pp. 53\u201363.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2007<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Chapter: \u2018Robert Schneider\u2019s Novel Schlafes Bruder (1992) in the Light of its Screen Version by Joseph Vilsmaier (1995)\u2019 in: Sch\u00f6nfeld, Christiane (Ed.) in collaboration with Rasche, Hermann: Processes of Transposition. German Literature and Film (= Amsterdamer Beitr\u00e4ge zur neueren Germanistik 63). Amsterdam and New York: Rodopi, pp. 319\u201332.<\/span><br \/>\n<span style=\"color: #000000;\">Entire volume reviewed in:<\/span><br \/>\n<span style=\"color: #000000;\">a) German Studies Review, Vol. 33, No. 2 (May 2010), pp. 477\u201378 (Ulrich E. Bach)<\/span><br \/>\n<span style=\"color: #000000;\">b) The Modern Language Review, Vol. 104, No. 3 (July 2009), pp. 925\u201327 (Karina von Lindeiner-Str\u00e1sk\u00fd)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2006<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Journal Article: \u201ePolitisch Lied \u2013 garstig Lied? R.E.M.: Welcome to the Occupation. Eine Interpretation aus nach wie vor gegebenem Anlass\u201c in: Literatur im Unterricht. Texte der Moderne und Postmoderne in der Schule. Hrsg. von Peter Bekes und Reinhard Wilczek. 7. JG, Nr. 3, pp. 221\u201325.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2005<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Journal Article: \u201e\u2018Die Zukunft auch der belebtesten Landschaft hei\u00dft W\u00fcste.\u2019 Zum Endzeittopos und seinen Implikationen im Werk von Christoph Ransmayr unter Ber\u00fccksichtigung komplement\u00e4rer Arbeiten Anselm Kiefers\u201c in: TRANS, Journal for Cultural Exchange, No. 15, cf http:\/\/www.inst.at\/trans\/15Nr\/ 05_16\/spitz15.htm<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Chapter: \u201eDie Sprache ist der Gott im verst\u00f6rten Fleisch. Bausteine zu einer Hermeneutik der \u2018Kanak Sprak\u2019 t\u00fcrkischer Frauen und M\u00e4nner der \u2018dritten Generation\u2019 in Deutschland\u201c in: Briel, Holger and Fehringer, Carol (Eds): Field Studies. German Language, Media and Culture (= Conference of University Teachers of German in Great Britain and Ireland Proceedings; Vol. 5). Oxford et al: Lang, pp. 51\u201373.<\/span><\/li>\n<li><span style=\"color: #000000;\">Encyclopaedia Entries: ABC Clio\u2019s \u2018Germany and the Americas\u2019. Editor: Thomas Adam.<\/span><br \/>\n<span style=\"color: #000000;\">1) the Amish, pp. 80\u201381<\/span><br \/>\n<span style=\"color: #000000;\">2) Erich Fromm, pp. 395\u201396<\/span><br \/>\n<span style=\"color: #000000;\">3) Carl Zuckmayer, pp. 1198\u20131200<\/span><br \/>\n<span style=\"color: #000000;\">Entire volume reviewed in:<\/span><br \/>\n<span style=\"color: #000000;\">a) German Studies Review, Vol. 30, No. 1 (Feb., 2007), pp. 232\u201334 (Kirsten Sandrock)<\/span><br \/>\n<span style=\"color: #000000;\">b) H-Net, Humanities and Social Sciences Online (May, 2006) (Thomas W. Gijswijt)<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u2018Fuchs-Heinritz, Werner und K\u00f6nig, Alexandra: Pierre Bourdieu. Konstanz: UVK Verlagsgesellschaft 2005\u2019 in: Forschungsjournal Neue soziale Bewegungen, JG 18, Heft 4, p 154.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2004<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book: Erfundene Welten \u2013 Modelle der Wirklichkeit. Zum Werk von Christoph Ransmayr. W\u00fcrzburg: K\u00f6nigshausen &amp; Neumann, pp. 198.<\/span><br \/>\n<span style=\"color: #000000;\">Reviewed in:<\/span><br \/>\n<span style=\"color: #000000;\">a) Modern Austrian Literature, Vol. 37, No. 3\u20134, 2004, pp. 87\u201389 (Holger Mosebach)<\/span><br \/>\n<span style=\"color: #000000;\">b) www.literaturhaus.at (Oktober 2004) (Alfred Pfabigan)<\/span><br \/>\n<span style=\"color: #000000;\">c) Kodikas\/Code. An international Journal of Semiotics, Vol. 28, No. 3\u20134, 2005, S. 427\u201329 (Ernest Hess-L\u00fcttich)<\/span><br \/>\n<span style=\"color: #000000;\">d) Deutsche B\u00fccher, Heft 3, 2005 (Henk Harbers)<\/span><br \/>\n<span style=\"color: #000000;\">e) Quarber Merkur, Nr. 103\/104 (2006), pp. 259\u201360 (Franz Rottensteiner) <\/span><\/li>\n<li><span style=\"color: #000000;\">Book Chapter: \u2018Red \u2013 White \u2013 Red: Werner Schwab and Morbus Austriacus. An Analysis of the Language and some Literary Motifs in his Plays with References to Works by Thomas Bernhard and Ernst Jandl\u2019 in: Holfter, Gisela \/ Krajenbrink, Marieke \/ Moxon-Brown, Edward (Eds): Beziehungen und Identit\u00e4ten: \u00d6sterreich, Irland und die Schweiz (= Wechselwirkungen. \u00d6sterreichische Literatur im internationalen Kontext; Bd. 6). Bern et al: Lang, pp. 227\u201341.<\/span><br \/>\n<span style=\"color: #000000;\">Entire volume reviewed in:<\/span><br \/>\n<span style=\"color: #000000;\">a) James Joyce Quarterly, Vol. 44, No. 1 (Fall, 2006), pp. 182\u201385 (Friedhelm Rathjen)<\/span><br \/>\n<span style=\"color: #000000;\">b) German Studies Review, Vol. 29, No. 3 (Oct., 2006), pp. 663\u201364 (Andrea L\u00fcbcke)<\/span><br \/>\n<span style=\"color: #000000;\">c) Zeitschrift f\u00fcr celtische Philologie, Band 56 (2008), pp. 239\u201341 (Gabriele Haefs)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2003<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Book Chapter: \u2018Travelling Borderline Territories: The Terrors of Ice and Darkness by Christoph Ransmayr\u2019 in: Conroy, Jane (Ed.): Cross-Cultural Travel: Papers from the Royal Irish Academy Modern Languages Symposium on Travel Literature in 2002. Frankfurt et al: Lang, pp. 449\u201358.<\/span><\/li>\n<li><span style=\"color: #000000;\">Encyclopaedia Entries: \u2018American Masculinities: A Historical Encyclopaedia\u2019, Editor: Bret Carroll. Thousand Oaks, CA, London, and New Delhi: Sage.<\/span><br \/>\n<span style=\"color: #000000;\">1) Postmodernism, pp. 369\u201371<\/span><br \/>\n<span style=\"color: #000000;\">2) Romanticism, pp. 400\u201302<\/span><br \/>\n<span style=\"color: #000000;\">Entire volume reviewed in:<\/span><br \/>\n<span style=\"color: #000000;\">a) Reference &amp; User Services Quarterly, Vol. 43, No. 4 (SUMMER 2004), p 340 (Carla K. Bauman-Franks)<\/span><br \/>\n<span style=\"color: #000000;\">b) Reference &amp; User Services Quarterly, Vol. 44, No. 1 (FALL 2004), pp. 80\u201381 (J. Christina Smith)<\/span><\/li>\n<li><span style=\"color: #000000;\">Book Review: \u2018Holger Mosebach: Endzeitvisionen im Erz\u00e4hlwerk Christoph Ransmayrs. Munich 2003\u2019 in: Modern Austrian Literature, Vol. 36, No. 1\u20132, pp. 98\u2013100; also in: Kodikas\/Code, Ars Semeiotica. An International Journal of Semiotics, Vol. 27, No. 3\u20134 (2004), pp. 336\u201338 and, in German, at http:\/\/www.amazon.de.<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">2002<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Encyclopaedia Entries: \u2018German Culture and Society. The Essential Glossary\u2019, Editor: Holger Briel. London: Arnold.<\/span><br \/>\n<span style=\"color: #000000;\">1) Friedrich D\u00fcrrenmatt, pp. 31\u201332<\/span><br \/>\n<span style=\"color: #000000;\">2) Christa Wolf, pp. 149\u201350<\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"cmsmasters_row_6a152a2db892f0_28203209\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_fullwidth\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner cmsmasters_row_fullwidth\">\n<div class=\"cmsmasters_row_margin\">\n<div class=\"cmsmasters_column one_first\">\n\n<div id=\"cmsmasters_divider_6a152a2db8a0f5_45169924\" class=\"cmsmasters_divider cmsmasters_divider_width_long cmsmasters_divider_pos_center\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"cmsmasters_row_6a152a2db8a706_82535893\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_boxed\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner\">\n<div class=\"cmsmasters_row_margin\">\n<div class=\"cmsmasters_column one_first\">\n\n<div id=\"cmsmasters_heading_6a152a2db8bf01_28349144\" class=\"cmsmasters_heading_wrap cmsmasters_heading_align_center\">\n\t<h2 class=\"cmsmasters_heading\">1 up with SpeakUp!<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Direktion - SpeakUp Langues<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/speakuplangues.lu\/de\/direktion\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Direktion - SpeakUp Langues\" \/>\n<meta property=\"og:url\" content=\"https:\/\/speakuplangues.lu\/de\/direktion\/\" \/>\n<meta property=\"og:site_name\" content=\"SpeakUp Langues\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-23T13:44:07+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data1\" content=\"9\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/speakuplangues.lu\/de\/direktion\/\",\"url\":\"https:\/\/speakuplangues.lu\/de\/direktion\/\",\"name\":\"Direktion - SpeakUp Langues\",\"isPartOf\":{\"@id\":\"https:\/\/speakuplangues.lu\/fr\/#website\"},\"datePublished\":\"2019-10-03T12:00:00+00:00\",\"dateModified\":\"2026-02-23T13:44:07+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/speakuplangues.lu\/de\/direktion\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/speakuplangues.lu\/de\/direktion\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/speakuplangues.lu\/de\/direktion\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/speakuplangues.lu\/de\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Direktion\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/speakuplangues.lu\/fr\/#website\",\"url\":\"https:\/\/speakuplangues.lu\/fr\/\",\"name\":\"SpeakUp Langues\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/speakuplangues.lu\/fr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"de\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Direktion - SpeakUp Langues","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/speakuplangues.lu\/de\/direktion\/","og_locale":"de_DE","og_type":"article","og_title":"Direktion - SpeakUp Langues","og_url":"https:\/\/speakuplangues.lu\/de\/direktion\/","og_site_name":"SpeakUp Langues","article_modified_time":"2026-02-23T13:44:07+00:00","twitter_card":"summary_large_image","twitter_misc":{"Gesch\u00e4tzte Lesezeit":"9\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/speakuplangues.lu\/de\/direktion\/","url":"https:\/\/speakuplangues.lu\/de\/direktion\/","name":"Direktion - SpeakUp Langues","isPartOf":{"@id":"https:\/\/speakuplangues.lu\/fr\/#website"},"datePublished":"2019-10-03T12:00:00+00:00","dateModified":"2026-02-23T13:44:07+00:00","breadcrumb":{"@id":"https:\/\/speakuplangues.lu\/de\/direktion\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/speakuplangues.lu\/de\/direktion\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/speakuplangues.lu\/de\/direktion\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/speakuplangues.lu\/de\/"},{"@type":"ListItem","position":2,"name":"Direktion"}]},{"@type":"WebSite","@id":"https:\/\/speakuplangues.lu\/fr\/#website","url":"https:\/\/speakuplangues.lu\/fr\/","name":"SpeakUp Langues","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/speakuplangues.lu\/fr\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"de"}]}},"_links":{"self":[{"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/pages\/7105"}],"collection":[{"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/comments?post=7105"}],"version-history":[{"count":20,"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/pages\/7105\/revisions"}],"predecessor-version":[{"id":8960,"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/pages\/7105\/revisions\/8960"}],"wp:attachment":[{"href":"https:\/\/speakuplangues.lu\/de\/wp-json\/wp\/v2\/media?parent=7105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}